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Overview : Scott Lang és Hope Van Dyne, valamint Hank Pym és Janet Van Dyne felfedezik a Kvantum Birodalmat, ahol különös lényekkel lépnek kapcsolatba, és olyan kalandba kezdenek, amely túlmutat az általuk lehetségesnek hitt határokon.

Title original : Ant-Man and the Wasp: Quantumania
Status : Released
Release Date : Released
Tagline : A Hangya és a Darázs: Kvantumánia Best movies in the World
On May 3, 2021, the governors of Connecticut, New Jersey, and New York jointly announced that they planned to lift most capacity restrictions on businesses on May 19 for cinemas in New York, they would not be limited in how many patrons may be present, but there must be 6 feet 1.8 m social distancing between groups.209210 On May 4, Los Angeles County was moved to yellow Minimal tier by state health officials,211 but the LACDPH did not allow cinemas to use the 75% option.212 Due to progress on vaccination, New York and California lifted capacity restrictions, including those on cinemas, in June 2021.213214 By August 2021, however, due to spread of Delta variant and waning vaccination rates nationwide, New York City where only 55% of residents were fully-vaccinated announced on August 3 that effective September 13, access to indoor entertainment venues including cinemas will be restricted to those who are vaccinated.215216 In October 2021, Los Angeles announced that starting November 4 residents will be required to show proof of a COVID-19 vaccination to enter movie theaters.217
Early evolution : The earliest films were simply one static shot that showed an event or action with no editing or other cinematic techniques. Typical films showed employees leaving a factory gate, people walking in the street, the view from the front of a trolly as it traveled a city’s Main Street. According to legend, when a film showed a locomotive at high speed approaching the audience, the audience panicked and ran from the theater. Around the turn of the 20th century, films started stringing several scenes together to tell a story. The filmmakers who first put several shots or scenes discovered that, when one shot follows another, that act establishes a relationship between the content in the separate shots in the minds of the viewer. It this relationship that makes all film storytelling possible. In a simple example, if a person is shown looking out a window, whatever the next shot shows, it will be regarded as the view the person was seeing. Each scene was a single stationary shot with the action occurring before it. The scenes were later broken up into multiple shots photographed from different distances and angles. Other techniques such as camera movement were developed as effective ways to tell a story with film. Until sound film became commercially practical in the late 1920s, motion pictures were a purely visual art, but these innovative silent films had gained a hold on the public imagination. Rather than leave audiences with only the noise of the projector as an accompaniment, theater owners hired a pianist or organist or, in large urban theaters, a full orchestra to play music that fit the mood of the film at any given moment. By the early 1920s, most films came with a prepared list of sheet music to be used for this purpose, and complete film scores were composed for major productions.
Montage Main article: Montage is the technique by which separate pieces of film are selected, edited, and then pieced together to make a new section of film. A scene could show a man going into battle, with flashbacks to his youth and to his home-life and with added special effects, placed into the film after filming is complete. As these were all filmed separately, and perhaps with different actors, the final version is called a montage. Directors developed a theory of montage, beginning with Eisenstein and the complex juxtaposition of images in his film Battleship Potemkin.3 Incorporation of musical and visual counterpoint, and scene development through mise en scene, editing, and effects has led to more complex techniques comparable to those used in opera and ballet.
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Further terminology is used to distinguish various forms and media used in the film industry. Motion pictures and moving pictures are frequently used terms for film and movie productions specifically intended for theatrical exhibition, such as, for instance, Batman. DVD and videotape are video formats that can reproduce a photochemical film. A reproduction based on such is called a transfer. After the advent of theatrical film as an industry, the television industry began using videotape as a recording medium. For many decades, tape was solely an analog medium onto which moving images could be either recorded or transferred. Film and filming refer to the photochemical medium that chemically records a visual image and the act of recording respectively. However, the act of shooting images with other visual media, such as with a digital camera, is still called filming and the resulting works often called films as interchangeable to movies, despite not being shot on film. Silent films need not be utterly silent, but are films and movies without an audible dialogue, including those that have a musical accompaniment. The word, Talkies, refers to the earliest sound films created to have audible dialogue recorded for playback along with the film, regardless of a musical accompaniment. Cinema either broadly encompasses both films and movies, or it is roughly synonymous with film and theatrical exhibition, and both are capitalized when referring to a category of art. The silver screen refers to the projection screen used to exhibit films and, by extension, is also used as a metonym for the entire film industry.
Production Main article: Filmmaking At its core, the means to produce a film depend on the content the filmmaker wishes to show, and the apparatus for displaying it: the zoetrope merely requires a series of images on a strip of paper. Film production can, therefore, take as little as one person with a camera or even without a camera, as in Stan Brakhages 1963 film Mothlight, or thousands of actors, extras, and crew members for a live-action, feature-length epic. The necessary steps for almost any film can be boiled down to conception, planning, execution, revision, and distribution. The more involved the production, the more significant each of the steps becomes. In a typical production cycle of a Hollywood-style film, these main stages are defined as development, pre-production, production, post-production and distribution. This production cycle usually takes three years. The first year is taken up with development. The second year comprises preproduction and production. The third year, post-production and distribution. The bigger the production, the more resources it takes, and the more important financing becomes most feature films are artistic works from the creators perspective e.g., film director, cinematographer, screenwriter and for-profit business entities for the production companies.
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